venezuelan producer argenis brito graces us with his sophomore cadenza release, the imminent ep. renowned for his role as lead vocalist for senor coconut as well as his collaborative projects with artists as decorated as luciano, pier bucci, jay haze and samim, the multi-talented argenis solo work comes with some pedigree. resident in berlin since 2004, his distinctly latin interpretation of house is a step ahead of the game, with prior releases on junion and cadenza animating floors with that inimitable south american fervour. title track >imminent< is a playful affair,with bouncing bass and a shimmering synth melody dancing around the kick. intoxicating and funked up, the melodies call and respond in a fragmented conversation while pulsing echoed tones add depth to the mix. >mind body soul< stutters into a complex percussive pattern, coloured by warm keys and blocks of bass tone. funky is the word, as a distorted vocal directs bodies to the floor. deep and immersive, dark melodic synth movements plunge us into a sweaty and cathartic house hole. on the flip, >lolipop< combines electro and house elements into one cheeky dance with the devil. bubbling bass flows under cascading melodic synth, as fat percussion crunches around sharp vocal bursts. slick and futuristic, this is for that time of the night where looking backwards is not an option.closing the ep, >unreality< is as deep as they come. warm and uncompromising key stabs pulsate over a no-nonsense bass drive, accented by harmonising clav tones. living up to its moniker, the resonant melodies and hypnotic pace conspire to transcendental effect.

uk pattern techno by well known gunjack (submissions, audio assault, p-series, etc)

percussive pattern techno.. limited white vinyl

pattern peaktime techno 4 tracker

tribal infected phonky pattern techno

pattern infected techno three tracker

adam beyer continues his strive onwards and upwards with this new 2 track killer from fellow swede - hardcell. both tracks are devastating with the a side - only being a bass heavy driving bomb that peaks and builds effortlessly. on the flip we have neo acid whcih as the title suggests has a rather menacing dirty acidic lead pattern underpinned by slamming drums. another winner from one of the scenes best labels.!

a huge tech house output!! the a side proposes >welcome to the moon<, a pure underground anthem with his instantly recognisable and wicked drum programming style. then the track drops a huge and energetic bass line with a screaming 90s rave-influenced synth loop. the dark voice rises among random effects giving that spacey atmosphere when the break push it up to the standout climax. are you house heads ready for this? the b side drives us to another planet >mars<.this progressive-tech track stands into dark-prog line. packed with loud bass this is another big room tune that everybody should play. the bass line rolls on a simple drum pattern giving to the synth the main objective to make you shout. then the whole track is served up by a constant acid line creating a sinister feeling to this club monster

timesless pattern infected drivin detroit techno

next energetic & pattern infected mike wade 4 tracker

played by matthias tanzmann, loco dice, ricardo villalobos, matt john, matthias tanzmann,. the iranian nima gorji presents a deep and driving nine minute house track, called >i got something<. with its special dynamics, intelligent arrangement and its special atmosphere its a hypnotizing dj tool. on the flip side einzelkind aka miguel ayala and arno völker are deconstructing the atmosphere of their track >el piannuccho< and create a sound pattern, that with every running minute creates more tension by slowly building up until the peak. modern house, as we like it

jamie bissmire pattern techno

percussive pattern techno

adam beyer imprint. a stunning two tracker by agaric and steve logan. the a side is a fantastic chugging track with razor sharp production that just builds and builds with key elements like swirling vocals and synths and a funky bassline. the flip takes a much darker approach with its reverse bass line, synth pattern and super sharp hi hats. this is another fanatastic release from one of the hottest labels around at the moment

classical pattern techno trax

pattern & loop infected techno 4 tracker.. ltd backstock

knitware rosa deer & sofie norregaard ... right for the upcoming autumn & winter season, the danish designers sofie nØrregaard and rosa deer added a beautiful knitware scarf to the trentemØller collection, which plays with motifs from trentemØller s album the trentemoller chronicles . ... nice long jacquard knitware scarf with a beautiful pattern. 100% cotton, perfect for autumn. can be turned inside out for new variation. one size (approx. 24 x 144 cm)

knitware rosa deer & sofie norregaard ... right for the upcoming autumn & winter season, the danish designers sofie nØrregaard and rosa deer added a beautiful knitware scarf to the trentemØller collection, which plays with motifs from trentemØller‘,,,,,s album „,,,,,the trentemoller chronicles“,,,,,. ... nice long jacquard knitware scarf with a beautiful pattern. 100% cotton, perfect for autumn. can be turned inside out for new variation. one size (approx. 24 x 144 cm)

knitware rosa deer & sofie norregaard ... right for the upcoming autumn & winter season, the danish designers sofie nØrregaard and rosa deer added a beautiful knitware scarf to the trentemØller collection, which plays with motifs from trentemØller s album the trentemoller chronicles. ... nice long jacquard knitware scarf with a beautiful pattern. 100% cotton, perfect for autumn. can be turned inside out for new variation. one size (approx. 24 x 144 cm)

this project is a showcase of ians most recent club tracks and all appear in there original mixes. crank this, is a seriously heavy club tune. budapest, has a middle eastern vibes (hence the title) and has wobbly, wonky bass as well as a distinct break beat kick drum pattern. finally the much talked about everything & nothing, the title track of this ep sees ian going down a melodic & uplifting pryda influenced route.

finest deep broken beat journeys

excellent rollin pattern influenced techno trax

jorge has been a central figure on the latin-american musical stage since the 80s-first as the co-founder of chiles beloved political rockers los prisioneros, then as a restlessly inventive solo musician and as one half of gonzálo martínez, the experimental electronic duo with dandy jack (martin schopf). now based in mexico city and working alongside loreto otero, jorge presents los updates, a new project combining electro-pop with an unusual approach to minimalist house and techno. designed both as a studio affair and a live performance, los updates expands its collaborative scope by reaching out to a crew of well-known chilean and european musicians who were central to the development of chilean techno in the mid 90s: ricardo villalobos, dandy jack, luciano and tobias freund, all of whom deliver defiantly original remixes across a series of 12-inch singles. tobias. fills the a-side with his remix of >pictures of you< simply one of the most dazzling things youll hear this year. tobias. recent string of work-singles for wagon repair and ostgut ton, as well as remixes for two armadillos and jim rivers-has shown him to be a master of the hypnotic groove, and here he entrances like never before, laying down a stark 808 drum pattern which he threads through dubby keys, analog explosions and liquid bass figures. on the b-side cadenzas luciano is getting late and brings his inimitable touch to the remix of >etting late<. luciano reworks the song into a lean, bleepy groove that marries the cool restraint of vintage dbx to lucianos own effusive style, buoyant and percussive and completely enveloping..

!!!!!!strictly limited to 500 copies!!!!!! together with stefan goldmanns debut cd the transitory state, macro releases a strictly limited box set containing five 7? records holding the electroacoustic album voices of the dead. with his releases for innervisions, perlon and macro stefan goldmann has been a key figure at the cutting edge of post minimal techno and the renewal of house music. this album is a distinctively different affair though, reaching far beyond the scope of dancefloor electronics. starting a trilogy of concept albums, stefan goldmann searches for the common root of all music in an electroacoustic setting. from this album turret is already renowned as the intro sequence of richie hawtins groundbreaking de9 transitions mix compilation and was also commissioned by the biblioteque nationale de france for the imeb phonoteque public collection. the artist explains: at first sight we recognise upfront elements like a melody or rhythmic pattern, which we associate with a certain piece or style of music, but there is tension between two notes, hard-to-define background information that at a closer look is found everywhere - within the music of coltrane and stravinsky, death metal and 9th century byzantine chants. if there is anything like a total, secret common ground, than its this information lurking in the background. these are the voices of the dead, the heritage of an endless line of ancestors brought forward through the centuries. i tried to make these elements audible as clearly as possible. really like this weird space ambient one. ive put katorga and izo already into my final scratch computer and have been playing them! (richie hawtin on voices of the dead) record release event at berghain / panorama bar berlin on september 4th, 2008, feat. ricardo villalobos, mika vainio (pan sonic) and ulrich schnauss (tbc).

pounding uk pattern techno with mindhole, agent, kwaczo and takaaki itoh on the remix side

old school pattern techno from 1997 on the legendary blueprint label. blueprint was founded in 1996 by james ruskin and richard polson

funky minimal from 1999.. one of the more dancfloor friendly releases by kit clayton

darker pattern techno.. ltd backstock

roman fluegel classic !!

ltd backstock.. oldd school pattern techno classic by samuel l. session

classical percussion loaded pattern techno.. ltd backstock

essential tech-house interpretation of the jazz standard! tip ! at the core of >take five< is a warm, fluttering piano loop that wouldnt sound out of place on a nina simone record. around these rich, faintly jazzy chords, jona builds a thrillingly direct, percussive track which nods to the passion and polish of classic 90s house music. a shuffling snare pattern and a tough, buoyant kickdrum combine with the keys to give the dancefloor a workout it wont forget. this is smart, optimistic stuff from jona, a ready-made soundtrack for hands in the air at late summers parties. >sunset< is a darker but no less seductive affair. its skeleton is a supple, minimalist groove, undercut with a raw, rangy bassline, and topped by tight snares and a steady, sibilant rush of hi-hats.

great percussive funky pattern-like techno trax from croatia!! incl stephane signore remix..

storming pattern techno with an old school flavour

cool pattern tech by oliver ho !! ltd backstock

cool tribaling old schooling pattern techno trax

jesse siminski is one of those musicians its impossible to ignore. whether producing as heartthrob or alter-alter ego vivianne projects his work is instinctive, insightful and driven by an irresistible force that instantly rubs off on the audience. its no surprise then that the first single to be lifted from heartthrobs eagerly awaited debut album >dear painter, paint me< is >signs<, a track that fully demonstrates the extent of his repertoire. one of the highlights of his not-to-miss live set, its also become a corner stone of richie hawtins dj sets over the last few months due to the massive crowd response it generates whenever it drops. billed as homage to classic detroit techno, theres a real air of expectancy about the mix friendly introduction. the powerful kick pattern, swirling sci-fi vocal efx and loose hi hat groove soon make way for the urgent, cavorting main melody that spins off into another dimension before a massive, resonating synthetic bass wipes out everything in its path. one of the main ideas running through the album is the juxtaposition and layering of different rhythms and time signatures and this really comes across on signs, with disco and caribbean inflections adding a cut and thrust to the chugging groove, creating the perfect foil to the sonic mayhem overhead. the b-side features apprentice – a tag heartthrob can safely leave behind with the release of >dear painter, paint me<. of course its another guaranteed floor filler with a finely honed acidic riff that immediately taps into the subconscious...

for flash lützenkirchen delivers three very classy dancefloor burners. first up there is >enter the moonlight<, an enchanting piece of thumping peak time business. a big bass, pumping beats and some great oriental sounds combined with far-out effects create a unique atmosphere. modern styles meet oldskool feelings! >on the shore< is even more oldskool than that. the fat and wobbly bassline pushes the track forward and creates the perfect antagonism to the warm effects and clicky minimal beats. the highlight - however - is the wonderfully written melodic piano piece that turns this track from wicked into wow! beautiful and tough, oldskool and fresh, slick and funky - all at the same time. this one is going to be huge. listen for yourself! at last there is >pokemon companion<, a more direct and solid piece of minimal tech. a drum’n bass like powerfully grumbling bass, and yet another memorable synthie pattern that seems to grow out of the buzzing loop like a spring flower out of wet grass - naturally and wonderful!

kaiser souzai strike back cloud-bustingly: and the result is hypnotic, driving & rhythmic to the last pattern. plays by fuzzy hair, francesco frafa, chris frontier, nudisco. we guess the idea of clouds inspired kaiser souzai for the 2nd ep once again as the result stratocumulus is a banging

finest driven pattern techno by mark verbos.. ltd backstock

williams is back with a brand new 12inch for get physical, el baile. the lead track immediately enthrals with its galloping kick, snare and analogue bass pattern, before a typically williams-eque, fat but understated electro motif, phased chords and crisp percussion edits propel it onwards into the heart of the dancefloor. >the unbearable truth< is a thrillingly modern, moody take on the straight-up acid track. a devastatingly simple, bending acid line lies at the heart of the track, but its the way the uncompromisingly linear beat and one-note bassline play off it that really makes this track fly. house music to get lost inside. >kiss of life< sounds every bit as vital and reviving as its title implies. its beauty lies in the intricate and expressive interplay of synths: beginning with a lowslung melodic motif, a more nimble, staccato bassline emerges, before the deep, kosmische-style chords arrive ahead of a powerful breakdown into heads-down techhouse strut.

supported by 2000 and one, anja schneider, jesse rose, loco dice, shlomi aber, trickski, tobi neumann, to name a few.. once again theres a real nod to the old school here in a track inspired by arthur russell. rich, warm analogue pads and subtle fx flashes from the space echo build an enchanting groove. the intensity gradually develops with sounds slowly evolving, lending a deep hypnotic feeling to proceedings, until the chord progression opens out and you cant help but smile. a genuine end of night anthem and when dixon does his own edit you know your onto something special... version: double for your money, with an extra version of the original that doesnt open out into the full stabs and maintains a deeper groove. martin landsky remix: with a tight, tribal tom pattern and straight ahead groove martin landsky achieves a darker more spaced out feeling with his remix. he pushes the pads to a dubbed out climax without fully opening out the progression and this fully hits the spot. martin landsky has been making waves as a dj and producer since the mid-nineties and is one of the key producers at steve bugs excellent poker flat recordings and running his own intim records.. hes compiled many mix cds for labels such as poker flat, systematic and the partysan compilation series. his debut album was >in between< for pokerflat and since then hes remixed the great & good as well as producing several stunning releases and jetting about with his box of records

played by karotte , reynold... style of eye has delivered one of the most creative dirtybird releases to date. this is a totally fresh sound coming straight out of stockholm, sweden. >the big kazoo< is an epic tech-funk masterpiece that achieves ultimate ass shaking glory while also innovating at the same time. yes, in the past dirtybird has brought you animals, fart noises, bass blips, and strange breakdowns and now a kazoo??? well, all we have to say is that the big kazoo goes a step beyond any gimmicks and brings you the real shit. the beat is solid driving funk just how we like it and the track is destined to be a dirtybird classic. the b-side >hide< aint no slouch either. it mixes in really well with anything you got with congos or any kind of latin shuffle. but hide also has a really hot techno element that makes it very versatile. the beat is rock solid with a strong syncopated pattern and cool synth dropouts that will even bring the socialites and wallflowers to life. check it

limited one sided edition !! far out is just that: a track that goes the distance, but without pretension or unnecessary fanfare. more understated than your typical anthem, it cruises in stealth mode, winding a refined, percussive groove ever tighter, threaded onto a pattern of needle-nosed toms that glides almost unnoticed under your skin. unnoticed, that is, until the tracks main riff comes crashing down like an awning full of icicles, sharp and cold and heavy. but sebo ks sense of restraint is such that he never beats us over the head with it, so to speak. instead he lets the groove spiral on, tightening it as he goes and whipping up chilly little sinewave twisters along the way. you can leave your mittens at home, though, because theres enough heat in the rolling bass line to keep you warm all winter long

brand new and exclusive release on bambu. produced by maxime dangles which has already released track on scandium records. great mix of electro and minimal for this second ep

the title track recalls those half forgotten dreams of positivity and optimism inspired by early us house music… a nostalgic arrangement of arpeggiated synths, high string lines, analogue drum machines and a 1980s vintage, new order like stepped bassline. housemuzik 1.2,3 takes us into much dark territory, dragging a similar palette of sounds into a dense psychedelic mix of acid guitar, pitched down demonic vocals and disorientating spacial effects. dont listen to this with the lights off! fajr dub is an epic, stoned dub collage built around classic space echo delay & feedback tricks, spectral voices and a shifting synth bass pattern, all underpinned by a soft pulsing backbone reminiscent of rhythm & sound productions.

basic unit are yair etziony (vermont) & shlomi avni (dj sola) pioneers of the israeli electronic music scene, and production partners since 2005. their debut release for fine art takes no prisoners, 4 tracks of jackin minimal tech. remixes from gary beck & pedro cali bring out the detroit elements from the original track and works them into a late night dancefloor frenzy.

shack musics sister label ugh rolls out its 2nd release in time for the summer! already finding favour on early promo from djs as diverse as osunlade, rainer trueby, rocco, alix alvarez, franck roger amongst others, this is one deep as fook tune! seed allstarz are bradford james and nef nunez hailing from bean town that is boston and brooklyn, ny respectively! now seeing the light of day shack label head soy mustafa steps out with co-producer alex celler under the kemistry guise to unleash a peak time stomper with the terrace mix, that is aimed straight at the floor with its synth stabs, infectious bassline and melodic keys. on remix duty we have called in boddhi satva who at the moment is doing amazing things alongside alton miller and osunlade working on his album for the yoruba imprint. boddhi kicks things off with a choppy drum pattern rolling it out with some fat bass and deep ass strings which tells you that this brutha truly hails from the mother land

the third dessous by st. sebastian comes along with a nice mymy remix. he turns the original into an irresistibly funky tech-house tune. starting from a reduced rhythm pattern their mix obtains your confidence by fraud with secure house-stabs before more and more weird sounds are added to take you on a trip.a fantastic and innovative mix by berlin based upstarts and playhouse recordings artists lee jones, carsten klemann and nicolas höppner aka mymy. >snow white< rounds up this great 12 with more breezly beats and these distinctive way-out synths